DVD

No Maps on My Taps

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A film by George Nierenberg
starring Bunny Briggs, Chuck Green, and “Sandman” Sims also featuring Lionel Hampton and John Bubbles

“Listen, Chuck, tap dancing’s still alive!” — John Bubbles to Chuck Green

"Exhilarating, touching, [and] thoroughly absorbing!” — The New York Times

“Their story is poignant, their dexterity poetic, their legacy immense!” — Time Magazine

 

Milestone Films restoration from the original camera negative and theatrical release of No Maps on My Taps and About Tap establishes the two seminal documentaries by George T. Nierenberg as the films that have helped revitalize the state of tap dancing!

The golden age of tap dancing spanned the first half of the twentieth century and featured extraordinary artists, including Bill “Bojangles” Robinson, John Bubbles, Fred Astaire, Gene Kelly, and Eleanor Powell. But by the 1950s, many fans were staying home to watch television and the nightclubs that supported tap dancers were starting to close. As the popularity of rock n’ roll grew, audiences moved away from the jazz and Broadway music that tappers relied on. At the same time, young choreographers like Bob Fosse were creating a new form of dance for musical theater — less tap oriented and more related to modern dance. Increasingly, tap was performed by only the old hoofers and was considered nostalgic, even comedic. Fittingly, the last chapter of Marshall and Jean Stearns’ 1968 seminal history Jazz Dance was titled “The Dying Breed.” 

Two events re-energized the art form. In 1978, 33-year-old Gregory Hines became an “overnight” sensation with his Tony-nominated performance in the Broadway musical, Eubie! Gregory — along with his brother Maurice — created a brilliant, energetic, and powerful tap style that exuded a new kind of cool. Then, in 1979 came the release of Nierenberg’s exhilarating landmark film, No Maps on My Taps, featuring music by Lionel Hampton and the dance artistry of Bunny Briggs, Chuck Green, and Harold “Sandman” Sims. Nierenberg’s real love for the dancers and their art made this joyous documentary a hit with audiences and critics. The thrilling talent and ebullient charisma of the three dancers shines through in every fame. No Maps on My Taps showed on multiple television outlets in the US and abroad and screened in theaters and college campuses. The three veteran tap dancers performed live with the film all over the world (sometimes leading tap dance parades throughout the towns). Tap dancing gained a huge multitude of new fans and inspired thousands of young dancers to put on tap shoes.

 An Explanation of Home, Classroom, and Public Performance Rights

Individuals and non-profit institutions purchasing DVDs, DVD-Rs, or Blu-rays — or streaming — at published home-use sale and rental prices are authorized to use the film only for private home screenings and legitimate classroom showings (a regularly scheduled class with an instructor present), per the United States Copyright Law. You can learn more about the distinction between classroom and public performance screenings here.

 

Through our distribution partner, Kino Lorber, Milestone provides a variety of licensing to suit all needs. Our standard institutional licensing packages are designed to provide colleges, universities and qualified non-profits with the best value for multiple uses, and our one-time community screening licenses allow any organization to exhibit high-quality films for a reasonable fee. Please note that all licensing carries restrictions on audience numbers and/or geographic range.

STANDARD INSTITUTIONAL LICENSING

  • CLASSROOM RIGHTS allow unlimited use in face-to-face classroom situations for the life of the media, restricted to a single campus or location. Please note that this license doesn't include public screenings or digital transmission of any kind.
  • PUBLIC PERFORMANCE RIGHTS (PPR) allow educational and nonprofit groups to exhibit our films to groups of 100 or fewer individuals where admission is not charged. The term of the public performance license is for the life of the DVD. However, if you intend to charge admission, expect an audience over 100, or publicly advertise the screening, then we ask that you contact us regarding an exhibition fee. Films purchased without Public Performance Rights are restricted for individual viewing or face-to-face teaching in the classroom only.
  • DIGITAL SITE LICENSES (DSL) allow colleges, universities and nonprofits to locally host and stream to their community on a closed, password-protected system for the life of the digital file.
  • K-12 PPR comes with limited performance rights so films can be shown in classrooms, at PTA meetings, during after school programs, and transmitted on a closed-circuit system within a K-12 school building or on a single campus. 

For all educational licenses and screenings, please Estelle Grosso, Director of Educational and Non-Theatrical Sales & Distribution at Kino Lorber (Milestone’s distribution partner) at: egrosso@kinolorber.com

The purchase of DVDs, DVD-Rs, and Blu-rays at the institutional rate by anyone outside of a North American non-profit educational institution does not grant rights for public performance or streaming.

Any continuous or loop screenings as part of a museum exhibition must also be licensed separately. Inquiries must be negotiated directly by emailing egrosso@kinolorber.com

Information for Exhibitors Screening DCPs and Film Prints

All bookings must be made by email correspondence with George Schmalz, Director of Theatrical Sales at Kino Lorber (Milestone’s distribution partner) at: gschmalz@kinolorber.com to negotiate terms and insure a screening copy is available. An order is only finalized when Kino Lorber sends written confirmation.

DCPs are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Shipping and handling charges for outgoing DCPs appear on your invoice. The immediate return or transshipment (as directed) of all DCPs is your responsibility.

DCPs should be returned to:

Milestone Film & Video
38 George Street
Harrington Park, New Jersey 07640-0128
United States 

35mm and 16mm prints are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Please do not ship prints back via US Mail. Exhibitor pays to ship both ways. Shipping and handling charges for outgoing prints appear on your invoice. The immediate return of all prints is your responsibility.

Prints should be returned insured for $1,000 to:

Iron Mountain
Attn: Milestone Account
235 Main Street
Little Falls, NJ 07424
201.944.3700

For public screenings, advertising materials can be requested by contacting jhertzberg@kinolorber.com

Milestone is the exclusive licensor for all the titles in this catalog, all of which are available from Milestone’s distribution partner Kino Lorber. in their complete versions.

 

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