Milestone Films

Cut to the Chase: The Charley Chase Comedy Collection

$22.46 $29.95

Available Now on DVD!

Charles Joseph Parrott of Baltimore, Maryland started out in vaudeville during the rough and tumble days in the first decade of the 20th century. Exactly 100 years ago this year, this young man fresh off the stage, started working at the Christie Film Company. During the next decade he worked as a juvenile lead, a gag writer and a comedy director. When he changed his name to Charley Chase and found himself featured in the Hal Roach’s short comedies, he became one of the great geniuses and stars of Hollywood’s golden era of silent comedy.  As renowned as Charlie Chaplin, Buster Keaton and Harold Lloyd at the time, Chase easily matched them laugh for laugh. The always-dapper Chase specialized in portraying the pleasant common man with very common skills placed in the most uncommon of circumstances.
 
Chase’s best performances at the Roach studio were directed by the legendary Leo McCarey (Make Way for TomorrowDuck Soup) and featured great character actors of the day including Bull Montana, Max Davidson and the lovely Katherine Grant. 
 
Years in the making, this amazing Charley Chase collection features more than five hours of comic masterpieces from the height of Chase’s career.  The Uneasy Three (from a 35mm print at the Museum of Modern Art) and Charley My Boy (from a 16mm print from the John Hampton Collection, courtesy of the Stanford Theater Foundation) are exclusive to this release.
 
Disc One: April Fool, The ’Fraidy Cat, Bad Boy, The Caretaker’s Daughter, Be Your Age, Bromo and Juliet, Dog Shy and Charley My Boy
Disc Two: The Uneasy Three, Innocent Husbands, Isn’t Life Terrible?, What Price Goofy?, Long Fliv the King, Mama Behave, Mighty Like A Moose, Mum’s the Word

Prints courtesy of Rusty Casselton, the Library of Congress, the Museum of Modern Art and The Stanford Theatre Foundation.


 An Explanation of Home, Classroom, and Public Performance Rights

Individuals and non-profit institutions purchasing at the DVD, DVD-R, or Blu-ray rate — or streaming at published rental and sales prices — are authorized to use the film only for private home screening and legitimate classroom showing (a regularly scheduled class with an instructor present), per the United States Copyright Law. You can learn more about the distinction between classroom and public performance screenings here.

 

US and Canadian nonprofit educational institutions that wish to show a film publicly outside of a scheduled class need to purchase DVDs, DVD-Rs, and Blu-rays at the institutional rate — which grants 3-year in-house streaming rights and an on-site public performance license. This in-house streaming license is for a term of three years from the date of purchase and grants the purchasing institution the right to stream over a single secure server with a password-protected connection. Streaming access must be strictly limited to currently enrolled students, faculty, and staff. Streaming rights extensions can be negotiated with Milestone after the initial three-year term has lapsed. Milestone retains the right to terminate this agreement at any time. No broadcast, Internet or other rights are granted or implied.These rights are for on-site use only per the license agreement. For more information on 

Similarly, US and Canadian nonprofit educational institutions that wish to show a film publicly outside of a scheduled class via Milestone’s streaming site must contact Milestone to arrange a separate public performance license. For more information, please email amy@milestonefilms.com. 

US and Canadian nonprofit educational institutions that wish to screen a DVD, DVD-R, or Blu-ray they already own in an open showing must purchase a public performance license. For more information, please email amy@milestonefilms.com. 

The purchase of DVDs, DVD-Rs, and Blu-rays at the institutional rate by anyone outside of a North American non-profit educational institution does not grant rights for public performance or streaming.

Any continuous or loop screenings as part of a museum exhibition must also be licensed separately. Inquiries must be negotiated directly with Milestone by emailing amy@milestonefilms.com

Information for Exhibitors Screening DCPs and Film Prints

All bookings must be made by phone or email correspondence with Amy Heller (201.767.3117 or amy@milestonefilms.com) to negotiate terms and insure a screening copy is available. An order is only finalized when Milestone sends a written confirmation.

DCPs are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Shipping and handling charges for outgoing DCPs appear on your invoice. The immediate return or transshipment (as directed) of all DCPs is your responsibility.

DCPs should be returned to:

Milestone Film & Video
38 George Street
Harrington Park, New Jersey 07640-0128
United States 

35mm and 16mm prints are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Please do not ship prints back via US Mail. Exhibitor pays to ship both ways. Shipping and handling charges for outgoing prints appear on your invoice. The immediate return of all prints is your responsibility.

Prints should be returned insured for $1,000 to:

Iron Mountain
Attn: Milestone Account
235 Main Street
Little Falls, NJ 07424
201.944.3700

For public screenings, advertising materials can be requested by contacting amy@milestonefilms.com

Milestone is the exclusive licensor for all the titles in this catalog, all of which are available here in their complete versions.

 

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