Milestone Films

Losing Ground

SKU: Mile00147

$27.96 $34.95
Deluxe 2-Disc Home DVD/Blu-ray Available Now!
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At the time of her death from cancer in 1988, Kathleen Collins was just 46 years old, but she was already an internationally renowned playwright, a popular professor (at New York’s City College) and a successful independent filmmaker. 
Her second film, Losing Ground tells the story of a marriage of two remarkable people, both at a crossroads in their lives. Sara Rogers, a black professor of philosophy, is embarking on an intellectual quest to understand “ecstasy” just as her painter husband Victor sets off on a more earthy exploration of joy.
Celebrating a recent museum sale, Victor decides to rent a country house where he can return to more realism after years working as an abstract expressionist. Away from the city, the couple’s summer idyll becomes complicated by Sara’s research and by Victor’s involvement with a young model. When one of her students casts Sara as the woman scorned in a film version of the song “Frankie and Johnny,” she experiences a painful emotional awakening. While dealing with strong individuals and feelings, the film is also charming--Collins described it as a comedy about a young woman who takes herself too seriously.
One of the very first fictional features by an African-American woman, Losing Ground remains a stunning and powerful work of art. Accomplished actors Seret Scott (who appeared in Louis Malle’s Pretty Baby and Ntozake Shange’s play “For Colored Girls Who Have Considered Suicide when the Rainbow is Enuf”), Bill Gunn (Ganja and Hess) and Duane Jones (Night of the Living Dead) star.
Funny, brilliant and personal, Losing Ground should have ranked high in the canon of indie cinema. But the early 1980s was not an easy time for women or independent filmmakers and the film was never theatrically released. It was shown once on PBS’s American Playhouse, and then it effectively disappeared. Twenty-five years after her mother’s death, Nina Collins rescued the original negative and created a beautiful new digital master of her mother’s film. Losing Ground now looks and sounds as fresh, bracing and complex as it did when it was first filmed. It is a testament to Kathleen Collins’ incredible talent and a lasting treasure of African American and women’s cinema.
DVD and Blu-ray BONUS FEATURES
- Commentary track by Professors LaMonda Horton-Stallings and Terri Francis
- 2015 Theatrical Trailer
- The Cruz Brothers and Miss Malloy (1980, 50 mins, Color) Kathleen Collins and Ronald Gray's first film
- Video Interviews with Ronald K. Gray (46:30), Seret Scott (40:17) and Nina Lorez Collins (26:24)
- An Interview with Kathleen Collins by Phyllis R. Klotman (1982, Color, 22 mins, Courtesy of Indiana University Black Film Archive)
- Transmagnifican Dambamuality (1976, 7 mins, B&W) Gray's celebrated lost student film
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Hear about Kathleen Collin's WHATEVER HAPPENED TO INTERRACIAL LOVE? on NPR!
Kathleen Collins in 1984!

Kathleen Collins Interview, 1984 from Milestone Film & Video on Vimeo.

 

Also available for theatrical and nontheatrical screenings on DCP, Digital File, DVD, and Blu-ray. 

 An Explanation of Home, Classroom, and Public Performance Rights

Individuals and non-profit institutions purchasing at the DVD, DVD-R, or Blu-ray rate — or streaming at published rental and sales prices — are authorized to use the film only for private home screening and legitimate classroom showing (a regularly scheduled class with an instructor present), per the United States Copyright Law. You can learn more about the distinction between classroom and public performance screenings here.

 

US and Canadian nonprofit educational institutions that wish to show a film publicly outside of a scheduled class need to purchase DVDs, DVD-Rs, and Blu-rays at the institutional rate — which grants 3-year in-house streaming rights and an on-site public performance license. This in-house streaming license is for a term of three years from the date of purchase and grants the purchasing institution the right to stream over a single secure server with a password-protected connection. Streaming access must be strictly limited to currently enrolled students, faculty, and staff. Streaming rights extensions can be negotiated with Milestone after the initial three-year term has lapsed. Milestone retains the right to terminate this agreement at any time. No broadcast, Internet or other rights are granted or implied.These rights are for on-site use only per the license agreement. For more information on 

Similarly, US and Canadian nonprofit educational institutions that wish to show a film publicly outside of a scheduled class via Milestone’s streaming site must contact Milestone to arrange a separate public performance license. For more information, please email amy@milestonefilms.com. 

US and Canadian nonprofit educational institutions that wish to screen a DVD, DVD-R, or Blu-ray they already own in an open showing must purchase a public performance license. For more information, please email amy@milestonefilms.com. 

The purchase of DVDs, DVD-Rs, and Blu-rays at the institutional rate by anyone outside of a North American non-profit educational institution does not grant rights for public performance or streaming.

Any continuous or loop screenings as part of a museum exhibition must also be licensed separately. Inquiries must be negotiated directly with Milestone by emailing amy@milestonefilms.com

Information for Exhibitors Screening DCPs and Film Prints

All bookings must be made by phone or email correspondence with Amy Heller (201.767.3117 or amy@milestonefilms.com) to negotiate terms and insure a screening copy is available. An order is only finalized when Milestone sends a written confirmation.

DCPs are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Shipping and handling charges for outgoing DCPs appear on your invoice. The immediate return or transshipment (as directed) of all DCPs is your responsibility.

DCPs should be returned to:

Milestone Film & Video
38 George Street
Harrington Park, New Jersey 07640-0128
United States 

35mm and 16mm prints are shipped insured for their cost via Federal Express or UPS and must be returned the same way or by an equivalent method. Please do not ship prints back via US Mail. Exhibitor pays to ship both ways. Shipping and handling charges for outgoing prints appear on your invoice. The immediate return of all prints is your responsibility.

Prints should be returned insured for $1,000 to:

Iron Mountain
Attn: Milestone Account
235 Main Street
Little Falls, NJ 07424
201.944.3700

For public screenings, advertising materials can be requested by contacting amy@milestonefilms.com

Milestone is the exclusive licensor for all the titles in this catalog, all of which are available here in their complete versions.

 

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